Toutes les pierres sont pareilles,
toutes les pierres sont precieuses: mais
l'homme n'en voit que quelques-unes ...
/ "All the stones are equal, all are precious,
but one sees only some of them "/
Maurice Maeterlinck "Blue Bird"
From the series "Life on the 9th floor"
My desk. It Is Noon.
Landscape in the interior
From the series "The City. Entrance from the yard"
Metropol
House №5
Carrying
Great beer
And in our yard ...
Park of Culture and Rest
A ride on the aircraft went to Europe ...
Sunlit
Confucius: "The noble man lives in peace and contentment ..."
Wanderer
It's all rock - n - roll.
Table
From the series "The Seamstress. Fabric of Time"
Coffee and "Singer"
Chinese teapot and a dummy
Fitting
Seamstress and a cat
Seamstress. New dress.
Seamstress. Artifacts.
From the series "Saint - Petersburg"
City. The left side of the diptych "Petersburg"
Private life. The right side of the diptych "Petersburg"
Over the city. Cathedral.
Views
Washing
Walking on water
Anichkov Bridge
View of the Blue Bridge
From the series "Paris"
Sacre - Coeur
Pantheon. White cloud.
Louvre. Passing.
Kiosque Flottant
Cafe on the Seine
Ile Saint - Louis
Pink Loft
Sung at Notre - Dame
Bridge Changed
Rue Hotel de Ville. Café.
Gare de Lyon
Sunday at the Rivoli
Sunday at the Rivoli
Series "Venice"
The Grand Canal
Grand Canal. Three gondolas.
April. Venice.
Harmony gray and pink
San - Georgia - Maggiore
Reflection
A series of "Mediterranean"
Life in color gray lavender
Visiting Voi Knyazhevich
Sitting on the rocks
Crete. The Rape of Europa.
Dmitry Ikonnikov: "Pictures are many levels of perception and awareness. Who - would see less me who - you will understand what I live, and who - you can see and more than me."
Artist Dmitry Ikonnikov was born in 1952 in Murmansk. Childhood and adolescence spent in the North, where parents, Muscovites, went to work on the distribution of after graduation.
In 1964 the family returned to Moscow. In 1969, after graduating from high school, worked as an artist Dmitry - performer in a monumental workshop of the Moscow Regional Plant artwork. While attending evening drawing classes at MGAHI Surikov.
1972 - 1976 years - the study at the Moscow Pedagogical Institute in the art - graphic faculty.
Much has been written about Ikonnikova, it is called a modern classic. I will give you a small quote one of the articles:
"True to his education schedule Ikonnikov always works only on paper. But to call it a simple graphical composition language is not rotated. In - First, it is, for the most part, large sheets, dockable, moreover, on a solid basis (for example, affixed to the tablets). In - Second, the favorite artist gouache on larger planes, which he prefers, as if loses its specificity: instead of coating layers occurs subtle game with translucent, almost lessirovochnomu surfaces, even with a variety of textures, reminiscent of the natural irregularities plastered walls, the smooth surface of the water zekalnuyu, the hard-packed sand of the beach. Sometimes when you look at the work Ikonnikova seems that we face - fragments of some never before seen paintings on the walls unbuilt buildings. This is evidenced by the undoubted author's ability to subordinate his decision compositionally uniform - a color problem, which guarantees the integrity and as a result - the inner monumentality of the composition. "
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